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The Photographer's Eye: Composition and Design for Better Digital Photos

The Photographer's Eye: Composition and Design for Better Digital Photos

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Author: Michael Freeman
Publisher: Focal Press
Category: Book

List Price: $29.95
Buy New: $18.78
You Save: $11.17 (37%)



New (34) Used (10) from $17.00

Avg. Customer Rating: 4.5 out of 5 stars 43 reviews
Sales Rank: 483

Media: Paperback
Number Of Items: 1
Pages: 192
Shipping Weight (lbs): 1.8
Dimensions (in): 10 x 9.3 x 0.8

ISBN: 0240809343
Dewey Decimal Number: 770
EAN: 9780240809342
ASIN: 0240809343

Publication Date: June 1, 2007
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: Brand New, Perfect Condition, Please allow 4-14 business days for delivery. 100% Money Back Guarantee, Over 1,000,000 customers served.

Also Available In:

  • Paperback - The Photographer's Eye: Composition and Design for Better Digital Photos

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Editorial Reviews:

Product Description
Design is the single most important factor in creating a successful photograph. The ability to see the potential for a strong picture and then organize the graphic elements into an effective, compelling composition has always been one of the key skills in making photographs.
Digital photography has brought a new, exciting aspect to design - first because the instant feedback from a digital camera allows immediate appraisal and improvement; and second because image-editing tools make it possible to alter and enhance the design after the shutter has been pressed. This has had a profound effect on the way digital photographers take pictures.
The Photographer's Eye shows how anyone can develop the ability to see and shoot great digital photographs. The book explores all the traditional approaches to composition and design, but crucially, it also addresses the new digital technique of shooting in the knowledge that a picture will later be edited, manipulated, or montaged to result in a final image that may be very different from the one seen in the viewfinder.

Features
*Covers both traditional in-camera composition and the new opportunities for picture-making made possible by digital imaging editing
*Shows how to explore situations and locations in order to find the best possible photographic possibilities
*Uses clear examples from real photographic assignments, with schematic illustrations of how and why the pictures work



Customer Reviews:   Read 38 more reviews...

5 out of 5 stars The Eye   October 31, 2008
This is a great book...But if you already have Freeman's "the image" you might expect more from this one.


5 out of 5 stars Best book on Composition I have read   October 16, 2008
 1 out of 2 found this review helpful

This book is excellent for introducing a large number of Composition theories and providing a large variety of examples. This book would not address the needs many new photographers have such as digital work flow, equipment selection, etc.


5 out of 5 stars Wonderfully clear, helpful advice, and well written   October 9, 2008
 1 out of 1 found this review helpful

I own a fair number of photography books and have become a it jadded: I no longer expect much from the books I order; a few nice pictures (maybe) and perhaps one or two useful points. But this book is not like that: It is a well-written gem with many, many useful points that, for me at least, helped to clarify many concepts. It is among one of the best photography books I own.

This book is not a collection of recipes or "how to" guides designed to get your shots hanging on a museum wall. Rather, it examines core design principles from a photographic perspective: Composition, balance, contrast, and more. It is not a book by a designer about photography, but a book by a photographer who understands design, how it impacts our photographs, and knows how to clearly convey the implications.

I heartily recommend this book.



5 out of 5 stars Essential Reading for Every Serious Photographer   October 9, 2008
I always believed that the only effective way to teach/learn photographic composition was to share a viewfinder with a student/teacher. But this book has taken a very effective step away from that dependency.

The Photographer's Eye, which is full of comparative photographs, carefully backward engineers the image-making process and shows the reader what he/she can do to radically improve their photo-taking.

I recommend this book for my BFA and MFA students.




5 out of 5 stars superbly written and photos illustrate points made   September 21, 2008
 5 out of 5 found this review helpful

At once, The Photographer's Eye, grips you, beckons one to get your camera, and use your eyes differently, to take in what's there and not, and know when to do what. Michael Freeman is a master tutor, communicator.

This large sized book from Focal Press, a company that truly values it's readers and authors with high quality binding, paper, and print, has another winner with this book, that truly led me to reevaluate my sense of design, ways of approaching a photograph, and ponder. The book starts out like it should from the beginning of what an image is, what your eye sees, and slowly educates, showing vivid images, with notes, so I grasped what was to do and to follow. It's 180 pages, 6 chapters cover it all, left me feeling much more confident about why, what, and when. Knowing most work in digital domain now, additional skill building is brought forth on how before and after the image is taken, and what can be created.

Chapter 1 begins with the frame and image, from how to start to a sense of just how one can see what's there, and how to get it.
Chapter 2 gets into Design Basics, a topic not covered by many, but so necessary to accomplish Gestalt perception with balance, dynamic tension, patterns, visual weight, and content.
Chapter 3 covers Graphic and Photographic Elements, illustrating the two dimensional forms that show up in the picture frame.
Chapter 4 really showed me a new way of composing with light and color, using tone and color.
Chapter 5 on Intent had me examine what I was attempting to show in my composition and why, yes, answer why. Freeman has a gift in talking to the reader.
Chapter 6 is Process, brings about how design, art, and other media work together, and I found that my eye, and intuition was sharpened, more aware of this process.

A great book, just long enough to cover design, a well organized book, images that work, support what the author posits, and again, a quality book,that Focal Press brings us, a welcome git.


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