Bohemian Paris: Picasso, Modigliani, Matisse, and the Birth of Modern Art

At first I thought it was a bad translation. But no, the French version is just as disjointed, poorly edited and nearly unreadable as the English version.

just two examples from among the many:
1: Franck recounts an auction, noting that Picasso kept his silence throughout the auction. We later learn that Picasso wasn't there... so, did he keep quiet? or did he stay away?

2: We get a detailed account of Arthur Cravan's boxing exhibition with Jack Johnson, after which, Mr. Frank notes: "Jack Johnson never stepped into the ring again." Of course, he meant Cravan, but that"s not what he said. In fact, the entire book is like that.

An author, by the way, is responsible for reading own proofs, so the faults of editing are the faults of the author.....

As I said the topic is fantatic, and when I could sift through the author's drivel, I found it interesting, though he probably provides more information about Solomon and Max Jacob than I would like and not enough about some of Picasso's mistresses, which I think would have been interesting...

Ah, Franck est francais... what else can i say??


VIVID WORD PICTURES OF A SIGNIFICANT ERA   February 18, 2002
 29 out of 30 found this review helpful

Part fiction, part art history, Bohemian Paris is a fascinating read. How can it be otherwise when the pages are inhabited by such colorful figures as Picasso. Modigliani, Jean Cocteau, Henri Matisse, Ernest Hemingway and Gertrude Stein?

Franck, the author of 15 books, escorts readers on a wide-screen tour of magical Paris during a period of 30 years, 1900 - 1930. That was a time of new birth in the world of artistic creation when painters, sculptors, writers, and versifiers struggled to covey revolutionary ideas and images. Some of these creators were feted at opulent, devil-may care galas while others worked in the direst poverty.

Learned and repressed poet Guillaume Apollinaire hovered on the periphery of this circle; Jean Cocteau might trip a friend to advance himself but how brilliant he was! Amedeo Modigliani gave to others when he had naught for himself; Gertrude Stein presided over her unparalleled salons.

And from these minds and from that time sprang cubism, Fauvism, dadaism and surrealism. Paris, both public and private, sizzled with creativity.

With Bohemian Paris author Franck has painted vivid word pictures of that significant era and collected numerous vignettes about the private lives of those who dramatically influenced art as we now know it.

- Gail Cooke