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Taormina: Wilhelm Von Gloeden

Taormina: Wilhelm Von Gloeden

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Author: Roland Barthes
Creators: Wilhelm Von Gloeden, Angus Whyte
Publisher: Twin Palms Publishers
Category: Book

List Price: $50.00
Buy New: $32.95
You Save: $17.05 (34%)



New (5) Used (7) Collectible (1) from $32.89

Avg. Customer Rating: 4.5 out of 5 stars 4 reviews

Media: Paperback
Edition: 3rd
Number Of Items: 1
Pages: 102
Shipping Weight (lbs): 1.6
Dimensions (in): 12.7 x 9.7 x 0.5

ISBN: 0942642430
Dewey Decimal Number: 770
EAN: 9780942642438
ASIN: 0942642430

Publication Date: January 1998
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: brand new limited edition in publishers shrinkwrap.

Also Available In:

  • Paperback - Taormina
  • Paperback - Taormina
  • Hardcover - Taormina

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Customer Reviews:

4 out of 5 stars Don't judge a book by its cover   November 28, 2003
 6 out of 8 found this review helpful

Don't judge a book by its cover. To begin with, for the fact that the portrait on the cover was neither shot by Wilhelm von Gloeden, but by his cousin, Wilhelm von Pluschow, nor has anything to do with TAORMINA, but either with Rome or Naples, where Pluschow lived, as anyone aquainted with Pluschow's work will immediatly recognise.

Ditto for many, if not most, of the pix in this book, which are not by Gloeden and were not shot in Taormina.

This explain the coarse side of some of these pictures that other reviewers noticed: this would be unusual for Gloeden indeed, however these pix are not his, but mostly by Vincenzo Galdi (Pluschow's aide), who ended his career in 1907 after being condemned for *obscene* photographs. Q.E.D.

In sum, the editors made a total mess, concerning attributions. They decided that if it looks Italian, and it is at least one century old, then it is Gloeden.
Which is nonsense.

This said, the book is a nice object, printed in colours (of course the pix themselves are black and white), oversize, displaying for the first time scores of pictures never seen before. Hence my 4 stars, the mess notwithstanding.

However the book does *not* deal with Gloeden and Taormina (alone), but rather with different kinds of pictures (from art to softporn) of the male nude from Italy between 1880 and 1920.

If you look for the real thing, I mean Gloeden himself, then go for other editions (there are plenty of them, most of them much cheaper).
But if you are looking for the catalogue of a private collection put together with Italian male nudes between 1880 and 1930, then this book is very very nice, though a bit costly.


4 out of 5 stars Great, sexy kitsch   January 6, 2003
 3 out of 4 found this review helpful

Forget about cloaking these shots with the guise of "art".
Von Gloeden kept the laurel wreathes, but somehow forgot the fig leaves. These photos are fun for what they are---the first (acknowleged by its creator) gay softcore porn. Many of them are positively hilarious, but, seemingly by accident, some are actually quite beautiful.



5 out of 5 stars A lover of youth   September 30, 1999
 8 out of 9 found this review helpful

The baron was a lover of youth and the beauty that that portarys and it shows in his images. He captures the natural sensuality of his models in a truthfull and honest moment. He is as insynch now with my own desires as he was with his patrons. One of which was a priest who died recently who had a collection of more then 300 of his plates, a find that will entrall us all if or when they are released. If you love boys you will love this.


5 out of 5 stars Essential for the collector of gay artistic self-expression   November 29, 1998
 8 out of 8 found this review helpful

A contemporary of the greats (Oscar Wilde, poets, the avante guarde of his generation), the Baron was an unabashed lover of the male nude. Obviously very persuasive, he was well-loved by his models. Nazi criminals later destroyed much of his work, but what remains is air and light to us all. Unabashedly, he was a living example of self-esteem, positive body image, and love of art for itself. Many today pay thousands to achieve the certainty of self-realization he so efortlessly showed in each and every print. Their historical value alone is unmeasurable, as the plates that each image was made from is unique and irreplaceable. The Nazi hammers on the glass plates horrifies me as the burning of the libraries of Alexandria must have others at that time. Buy this book! Show it proudly!

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