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John Szarkowski: Photographs | 
 enlarge | Author: John Szarkowski
Creator: Sandra S. Phillips
Publisher: Bulfinch
Category: Book
List Price: $60.00
Buy New: $14.97
You Save: $45.03 (75%)
New (23) Used (18) Collectible (2) from $14.97
Avg. Customer Rating:  1 reviews
Sales Rank: 457857
Media: Hardcover
Number Of Items: 1
Pages: 156
Shipping Weight (lbs): 2.5
Dimensions (in): 10.4 x 10.2 x 1
ISBN: 0821261983
Dewey Decimal Number: 779.092
EAN: 9780821261989
ASIN: 0821261983
Publication Date: February 3, 2005
Availability: Usually ships in 1-2 business days
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Product Description
In 1962 John Szarkowski accepted the position of Director of Photography at the Museum of Modern Art, New York. Before that time he had received two Guggenheim Fellowships for his own photography, had been given exhibitions by The Walker Art Center, The George Eastman House and the Art Institute of Chicago and had published two books of his photographs to critical and popular acclaim. From 1962 until retiring from the Museum in 1991, he made no effort to exhibit or publish his work. Now his work from his first twenty years as a photographer and that since resuming his life as a photographer is presented in this splendidly printed volume. Published in conjunction with a major touring retrospective exhibition, the book is confirmation that Szarkowski is first and foremost a photographer. Accompanying the photographs are excerpts from a lifetime's correspondence - often witty, always revealing - giving a glimpse of Szarkowski's perspective on life and photography.
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| Customer Reviews:
Artful Photographs From a Keen Curator and Photographer May 16, 2006
6 out of 6 found this review helpful
Everyone knows of John Szarkowski as the guru behind the photography department at the Museum of Modern Art in New York, but too few realize that beyond his scholarship and contribution to the placement of photography in an equal range as painting and sculpture, Szarkowski is a photographer of substance. This excellent book serves as a catalogue of a traveling exhibition of his works and it is quite revealing.
From elegant portraits such as the 1949 Robert Penn Warren example through his surveys of the natural phenomena of nature as he observes it, Szarkowski's eye focuses on the most mundane of images and from them creates masterworks. His preoccupation with trees is microscopically focused in a fascinating work entitled 'Graft', a grid of twelve images that reveal the arborist's magic of making a grafted tree.
Szarkowski's 'landscapes' of meadows, fields, and barns are luminous and endlessly fascinating to study. He creates naturally found still lifes from views through barn windows to trees and grasses outside. From this excellent sampling of his work and writing (and the accompanying fine essay by Sandra Phillips) this book justifies his placement in the realm of exceptional American photographers. Grady Harp, May 06
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