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Camera lucida: Reflections on photography

Camera lucida: Reflections on photography

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Author: Roland Barthes
Publisher: Hill and Wang
Category: Book

Buy New: $240.59



New (1) Used (6) Collectible (2) from $98.99

Avg. Customer Rating: 4.0 out of 5 stars 17 reviews
Sales Rank: 1840588

Media: Hardcover
Number Of Items: 1
Pages: 119

ISBN: 0809033402
EAN: 9780809033409
ASIN: 0809033402

Publication Date: 1981
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: Book is brand new, and has never been opened. Thousands of satisfied customers!

Also Available In:

  • Paperback - Camera Lucida: Reflections on Photography
  • Paperback - Camera Lucida: Reflections on Photography (Flamingo)
  • Paperback - Camera Lucida: Reflections on Photography
  • Paperback - Camera Lucida: Reflections on Photography
  • Hardcover - Camera Lucida

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Editorial Reviews:

Product Description
This was Roland Barthes's last book, combining a selection of photographs with reflections on photography. Examining the themes of presence and absence, the relationship between photography and theatre, history and death, the book begins as an investigation into the nature of photographs. Then, as Barthes contemplates a photograph of his mother as a child, it becomes an exposition of his own mind.


Customer Reviews:   Read 12 more reviews...

5 out of 5 stars confession   September 15, 2008
 0 out of 1 found this review helpful

i want to plug in the revolution (digital) to this book, in the style of mad libs.

meanwhile i haven't read camera lucida for a while.



4 out of 5 stars Just this..   February 28, 2008
The only disparaging thing I can say about this book is that it caused me to purchase a better dictionary.


5 out of 5 stars shocked   July 16, 2007
 1 out of 2 found this review helpful

I am somewhat stunned and dismayed by the negative reviews of this book. In fact, it has seem to elicit a sense of vitriol in some.

It is a brilliant book. How does one state simply such a complicated phenomenon. One doesn't. Those who rated this book so poorly biggest gripe was the complexity of the writing. Well - it is a complex topic. But, I think Barthes beautifully and deftly counters this complexity with his personal reflections. The book is both a critical assessment of photography and an emotional one as well, and this is what makes it so wonderful.

It is not wholly unexpected that most all the negative reviews of this book come late in the day - in the ever increasing time of sound-bites, instant pleasures and generally non-reflective immersion.



1 out of 5 stars Totally disappointing   May 14, 2007
 3 out of 5 found this review helpful

Sorry to say, although Roland Barthes is an icon to some. This short book is self-indulgent, unintelligible, and therefore useless. The author is far more interested in himself than he is interested in the subject.


2 out of 5 stars You'll literally need a Ph.D. to understand this book   April 20, 2007
 2 out of 6 found this review helpful

If you're thinking of reading this hoping for some insight on the creative process of the photographer, don't look to this ponderous, jargon-laden critique of "The Photograph". Barthes readily admits he's not a photographer and his viewpoint is only from side of the observer and the object. Barthes does offer a couple of intriguing ideas: the concepts of "studium" and "punctum," but since he seems to concentrate almost exclusively on photographs of human subjects (portraits and photojournalism), much of those ideas aren't as developed as they should be. Instead, he tries to explain why certain photographs evoke an emotional response (the punctum) in him. Of course, I may have misunderstood his point completely but not for want of trying. His esoteric use of existentialist terms makes it a tough read for those without a substantial education in philosophy. In any case, much of his critique has been overturned and made obsolete by the advent of digital photography (he explains early on that he doesn't have the patience to be a photography because he wants an instant result; there's nothing more instant than a digital photo) and digital photo manipulation (e.g. Photoshop).

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