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Everybody Was So Young: Gerald and Sara Murphy: A Lost Generation Love Story | 
 enlarge | Author: Amanda Vaill
Publisher: Broadway
Category: Book
List Price: $16.95
Buy Used: $0.52
You Save: $16.43 (97%)
New (36) Used (65) from $0.52
Avg. Customer Rating:  35 reviews
Sales Rank: 80094
Media: Paperback
Edition: 1st Broadway Books trade pbk. ed
Number Of Items: 1
Pages: 512
Shipping Weight (lbs): 1
Dimensions (in): 7.6 x 5.1 x 1.2
ISBN: 0767903706
Dewey Decimal Number: 759.13
EAN: 9780767903707
ASIN: 0767903706
Publication Date: April 20, 1999
Availability: Usually ships in 1-2 business days
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Shipping: International shipping available
Condition: The book is clean but may have highlights.
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Amazon.com Review
Gerald and Sara Murphy were the golden couple of the Lost Generation. Born to wealth and privilege, they fled the stuffy confines of upper-class America to reinvent themselves in France as legendary party givers and enthusiastic participants in the modernist revolution of the 1920s. He became an important painter; she made everyday life a work of art. Their friends F. Scott Fitzgerald, Ernest Hemingway, and John Dos Passos all based fictional characters on the Murphys; Picasso painted them; and Calvin Tomkins rekindled their glamour for a younger generation in his affectionate 1971 portrait, Living Well Is the Best Revenge. Amanda Vaill's vivid new biography builds on Tomkins's work to provide a full-length account of the Murphys' remarkable life together. As well as good times, that life included suffering endured with great courage. The Murphys' teenage sons died within two years of each other in the mid-1930s--one suddenly, one after a long battle with tuberculosis--and the Depression forced Gerald to resume the uncongenial work of managing his family's business. Vaill's sensitive rendering reveals the moral substance that enabled this stylish couple to survive heartbreak. But it's her marvelous evocation of those magical expatriate years that lingers in the memory. The wit and imaginative panache with which the Murphys lived sparkles again, recapturing a splendid historical moment. As Sara later said, "It was like a great fair, and everybody was so young." --Wendy Smith
Product Description
Gifted artist Gerald Murphy and his elegant wife, Sara, were icons of the most enchanting period of our time; handsome, talented, and wealthy expatriate Americans, they were at the very center of the literary scene in Paris in the 1920s. In Everybody Was So Young--one of the best reviewed books of 1995--Amanda Vaill brilliantly portrays both the times in which the Murphys lived and the fascinating friends who flocked around them. Whether summering with Picasso on the French Riviera or watching bullfights with Hemingway in Pamplona, Gerald and Sara inspired kindred creative spirits like Dorothy Parker, Cole Porter, and F. Scott Fitzgerald (Nicole and Dick Diver in Tender is the Night were modeled after the Murphys). Their story is both glittering and tragic, and in this sweeping and richly anecdotal portrait of a marriage and an era, Amanda Vaill "has brought them to life as never before" (Chicago Tribune).
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| Customer Reviews: Read 30 more reviews...
 A wonderful biography of two people April 12, 2008
1 out of 1 found this review helpful
I recently discovered this book so will try not to repeat the favorable reviews of others. I have visited most of the locations in this book and will try to search out the Murphy's history the next time I go. They lived magical lives in a period of tremendous artistic creativity. The 1920s in Paris were a unique period for American literature. That the Murphys were at the center of it makes this book required reading for anyone who wants to study the period. I have been in Sylvia's Beach's Shakespeare and Company, still there on the left bank, but the magic is gone. What must it have been like to be part of this generation of expatriates ? Read the book and find out. It is terrific.
 Too much March 1, 2008
0 out of 3 found this review helpful
The world of the rich-and-famous is ever fascinating. Here we're given entree into the Murphy world. If this is your favorite genre, you'll like this. However, I became satiated very early on too much richness, too many names, too many details. I found it over written, over talky. Everyone is charming (one way or another) and I can see why celeb advocates would adore this. Not I.
"Making It New" September 6, 2007
3 out of 4 found this review helpful
I had to go out and buy this book after seeing "Making It New: The Art and Style of Sara and Gerald Murphy" at the Williams College Museum of Art in Williamstown, MA. The book is terrific, but if you're interested in this period, its writers and artists than track down this exhibit. It's a wonderful and extraordinary show about the Murphys and those they were friends with. Paintings, theater pieces, diary entries, letters, amazing photographs, home movies and more illustrate that the Murphys were really an essential part of the 1920s and 1930s. An argument can be made that they were the center that everything spun out from. It is absolutely sensational.
The Murphys: maybe more interesting than their pal Fitzgerald April 1, 2007
7 out of 10 found this review helpful
Zelda Fitzgerald died on March 10, 2005. Hers was a terrible death --- she was a patient at the Highland Mental Hospital in Asheville, North Carolina, and the building caught fire, and because the patients were locked in, Zelda and eight others died. She was 48.
Her life had, effectively, ended years earlier, when she had the first of her breakdowns and was diagnosed as a schizophrenic. Or had it ended earlier than that? Perhaps with the death of her estranged husband, the once glamorous, then ruined F. Scott Fitzgerald, in 1940. Or maybe even earlier, on the Riviera, in 1924, when she had a dalliance with a French aviator that so enraged that her husband she tried to kill herself a few months later. Or even earlier, when Scott started appropriating her personality and her ideas for the characters in his novels.
Yes, but for a few years there, they had it all, didn't they? They were the Golden Couple, the personification of the '20s: young, beautiful, gifted. But not smart about fame, although, back then, almost no one understood how the flame of media draws you in, consumes you for the amusement of an uncaring public, and leaves you with ashes in your mouth and regret in your heart.
No, wait. Some people did grasp that. The Murphys did. And, as Amanda Vaill tells their story, they are considerably more interesting than their friends, the drunk and disorderly Fitzgeralds.
And can we talk about turning life into art?
Late each morning in the summer of 1922, Gerald went outside his home in Antibes and created something never seen before --- a beach! --- by raking the seaweed and stones. For this, he is said to have invented the idea of the Riviera as a summer destination.
Moments later, Sara would join him and, on a blanket, read or write. She wore a white linen dress or bathing suit. And, always, a long strand of pearls, which she looped around her back so she wouldn't mar her tan (and, she said, because the sun was good for them). For this, she became a style-setter and muse.
Gerald and Sara together were not two but one. They were "The Murphys," a young and rich American couple who used their youth and money to establish themselves at the center of a cultural elite in which everybody was young, talented, acclaimed. Cole Porter, Stravinsky, Picasso (who was in love with Sara), Cocteau --- though they were stars on their own, they orbited the Murphys. "There was a shine to life wherever they were," Archibald MacLeish said. "It was as though custom and habit had been wiped away and the thing itself was, for an instant, seen. Don't ask me how."
Then F. Scott Fitzgerald and Ernest Hemingway showed up.
If you've read Tender Is the Night, you know that Fitzgerald took the Murphys as models for the Divers. Whatever its merits, the novel reduced the Murphys to "Beautiful People." In fact, Gerald was an accomplished painter, an American Leger. He and Sara were experts on African-American spiritual music. They financed theatrical productions and helped worthy friends (Hemingway, for just one).
And they were far from untouched by the troubles of ordinary mortals.
First their young son Patrick came down with tuberculosis. Then, suddenly, their younger son died of meningitis. "Fancy. There's no other word for it," John Dos Passos said. "They could have thought & thought for a million years and they wouldn't have been able to think of one like that." And then, "fancy" again, a few years later, when Patrick died, and the Murphys had to carry on for their one remaining child.
It gets, if possible, more intense. Gerald returned to America to run his family business, a posh New York leather store named Mark Cross. He sent money to the faltering Fitzgerald. He had some deep poetic attachments with young men. And then he died. Dorothy Parker sent his widow this telegram: "Dearest Sara Dearest Sara." The widow staged a funeral that was described as "courage disguised as taste." But that was his life. And hers.
It's easy to read a book like this for the anecdotes about the mighty. But Fitzgerald comes across here as an eternal college boy and a bit of a fool, Hemingway as cold and manipulative. In contrast, the Murphys seem like explorers of the rarest kind --- blessed with money, they set out to find beauty and harmony. That they also found tragedy only makes their story more fascinating.
College kids majoring in Gender Studies can find much in the life of Zelda Fitzgerald to ponder. I'm not knocking that --- there are lessons galore in that roller coaster of a life. But when you're further along the road, the Fitzgeralds start to be, at bottom, a lot of noise --- spoiled children breaking things.
The Murphys, in contrast, look more substantial, more worthy of a sustained view. The Murphys, for all their money and privilege, seem real. These days, I don't want to read about the Fitzgeralds; I want to read Fitzgerald. But the Murphys --- they're well worth 500 pages.
Real Life Is Better Than Fiction! January 11, 2007
0 out of 2 found this review helpful
This delightful story is like watching a wonderful old movie from the 30's-40's! And I learned a thing or two about history!!! I'll be urging my book group to read this.
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