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Commercial Photoshop with Bert Monroy (VOICES) | 
enlarge | Author: Bert Monroy Publisher: New Riders Press Category: Book
Buy New: $209.00
New (2) Used (7) from $115.50
Avg. Customer Rating: 4 reviews Sales Rank: 943301
Media: Paperback Number Of Items: 1 Pages: 288 Shipping Weight (lbs): 2.2 Dimensions (in): 10.1 x 10 x 0.6
ISBN: 073571388X Dewey Decimal Number: 006.686 UPC: 752064713883 EAN: 9780735713888 ASIN: 073571388X
Publication Date: December 27, 2003 Availability: Usually ships in 1-2 business days Shipping: Expedited shipping available Condition: NEW. Brand New, but a display copy with very light shelf wear, faint rubbing on cover, otherwise as new. Trade Paperback. 100% Money Back Guarantee on all Items. We ship DAILY with free delivery confirmation. Choose expedited for FAST delivery. We believe in providing accurate grading on used books and excellent customer service. Five Star Seller with thousands of satisfied customers... buy with confidence.
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| Editorial Reviews:
Amazon.com Review Bert Monroy's demonstrations on the cable channel TechTV's The Screensavers are so popular that he was their roving reporter at the 2004 Photoshop World conference. Monroy is impressive at showing, step-by-step, how he performs his Photoshop "magic," sleights of hand that can seemingly create images out of air, or in this case, pixels. As in his previous books, each section begins with one of his amazing Photoshop "paintings" and walks readers through some of the techniques used to create it. Here, though, Monroy is emphasizing his production process as a commercial artist, from working with client sketches to organizing his work. The first chapter covers some of the more under-utilized weapons in the Photoshop arsenal (channels, adjustment layers, the pen tool, and clipping paths), and is worth the cover price alone. From there, the book focuses on case studies, each featuring different techniques. Mini-cases include compositing for a Chevron brochure, using Illustrator with Photoshop to create a Las Vegas-style marquee for a magazine cover, and creating a 3D cityscape for an online game. Going into greater detail are the more complete, step-by-step case studies for a realtor magazine (moldy bathtub, slippery walkway, peeling lead paint), a medical magazine (some birth control pills), and a Broadway poster (neon lights). These examples showcase Monroy's mastery of layers, clipping groups, layer effects, brushes, and filters. At the end are two of his most popular demos from TechTV. In the first, he creates an underwater scene out of a garden path using Hue/Saturation, the gradient tool, Glass, Crystallize, Add Noise, and Ripple filters, layer masks, a few fish from another photo, and a couple of other easy-to-copy steps. The other example is one you'll run to show your friends: piecing together two scans for artwork that's too big to fit on a scanner. I won't give the secret away, other than to just say that it's a lot better than slowly sliding one layer over another, trying to look at all the points in the image to see if they line up. And, it involves the difference mode (hint, hint). Although there's no companion CD with project files, you won't have any trouble recreating his methods with your own artwork. Professionals will pick up new skills; basic users will feel empowered. Bert Monroy is popular because he's just that good. --Angelynn Grant
Product Description
You know Bert Monroy's personal portfolio - now get to know his commercial work.Case studies take you step by step through Bert's client work for Apple, AT+T, Logitech, and more. Glean creative and Photoshop-specific insights from the guy Adobe goes tofor information. Includes a behind-the-scenes look at working as an artist when someone elseis calling the shots. Bert Monroy has long enjoyed successes as a digital artist, as evidenced by hiscredentials and his books: Bert Monroy: Photorealistic Techniques with Photoshop andIllustrator and Photoshop Studio with Bert Monroy. Well-known and highlyregarded expert in the Photoshop community, he has received heavy exposureon TechTV in the past year and his reputation as a master teacher ofPhotoshop and digital illustration has grown dramatically as a result.In this newest book, Bert switches from sharing the secrets behind his personalportfolio to unleashing the Photoshop tips he uses when working oncommercial projects. This book is complete with case studies that walk readersstep by step through the commercial design process--including conceptcreation, digital editing, production, and working one-on-one with clients.Whether you're looking to better your Photoshop skills, break into the field, orare simply a fan of Bert's work, this book will not disappoint.
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| Customer Reviews:
A wonderful book for photoshop artists! November 19, 2008 Bert Monroy is the Babe Ruth of Photoshop. He co-wrote the first book on Photoshop, and has created brushes included in photoshop. In my opinion there is nobody better then Mr. Monroy for creating art in Photoshop, his photo-realistic paintings will leave you speechless.
Enough about the man himself,(I can rant and rave about Bert all day). Lets get to the book.
This book is not for an absolute beginner, it's more geared toward the intermediate/advanced user.
The book showcases different paintings of Bert's and then goes into some detail of how he created certain parts of it, with short tutorials of the techniques used. He does not hold your hand and walk you through each and every step, but gives you enough info to hopefully figure it out, with some prior knowledge of the tools.
Throughout the book he uses both Photoshop & Illustrator. You will need both programs to effectively reproduce every project.
I absolutely love this book. Just to see Bert's work is very inspiring.
Since this book is OOP, a used copy is very expensive. I got mine at the library, but there's a digital PDF version available from the publishers site.
If you like Bert's work, this is a great book on revealing his techniques. A must read book.
Happy reading!
Wow! June 29, 2006 Book Name: Commercial Photoshop with Bert Monroy Author: Bert Monroy Publisher: New Riders Reviewer: Bruce Frank Rating: 5 out of 5 stars
Wow! If you've never seen or read any of Bert Monroy's stuff you're missing out on the real power of Photoshop. Bert is a master at Photoshop and a true digital artist. Though his book is titled "Commercial Photoshop" this book is much more than that. Bert also shows you how he incorporates Illustrator and three-D programs to create his final works of art.
You'll pick up some really cool Photoshop tricks while thumbing through the book but more than that you learn valuable techniques for real work. There are several chapters on how to make composites. This can and has saved clients and me hundreds of dollars. Every time you use an image you've purchased in the past that's money in the bank and Bert shows you how.
He also teaches techniques in tweaking images after a photo shoot. Though we try to make each shot perfect, that's nearly impossible. He gives several practical situations that can and will happen after you get your images back from the photographer. A few of these examples are items in the background blending or overpowering the proposed "hero" in the shot. Another example is cloning an image to make it closer to the other images in the shot. You'll also learn how to tweak entire images color or focus on adjusting color in one area or the image.
I loved the chapters on merging Illustrator and Photoshop. Again it's a real job that Bert had for a real client and you not only learn from the steps he uses in Photoshop, you learn from Bert's experience with the client. One thing I use on a weekly basis is using alpha channels to create complex masks.
I own two Bert Monroy books and I'm constantly going back to both of them for reference. They are well worth the money you spend on them. I only regret I don't have a 6th star to give the book. "Commercial Photoshop" is definitely 5 out of 5 stars.
Great for Illustrators January 6, 2005 6 out of 6 found this review helpful
Bert Monroy is a commerical illustrator with 30+ years of experience in the business and co-authored the very first book on Photoshop. Needless to say, the technical content of this book is unquestionable and quite educational. While many of the techniques in the book can be applied in other areas, a prospective buyer should be aware that the book is completely targeted toward illustration work. One of the techniques that Bert is famous for is creating photo-realistic images by painting them entirely in Photoshop with very few stock photography elements. Whether this is good or bad depends on what you're looking for, but don't buy the book thinking it's going to teach you how to retouch your family photos. One of Bert's many other books would be better suited for the later.
Excellent How-To Book May 6, 2004 16 out of 17 found this review helpful
Bert Monroy is, undoubtedly, one of the most amazing Photoshop artists IOve ever seen. He can produce images that look like photos, even though no photo was used.All of the examples in the book are from actual projects. This is a BIG book. The pages are about 10 X 10 and full of color photos of each step in the various projects he shows. The large size is more suitable for sowing the step-by-step examples, but I found it slightly unwieldy. He is very complete in his explanations, so that even someone with only modest Photoshop skills should be able to follow along easily. He shows several photo quality images he created from scratch for a magazine. He says he creates realities in Photoshop. I was in awe of the shiny chrome-plated shower handle in a bathroom scene, the reflection in a water puddle on a path he created next to grass and bushes he created, the glow of the light bulb he made and the textures he created for a stucco wall and marble floor. Monroy also show several projects in which he composited many images together for amazing results. It gave me some inspiration to do some projects on my own. He explains it very well. There is even an explanation of how an alpha channel works. And there are examples of re-touching and correcting images in order for them to be used in advertisements and magazines. His attention to detail is phenomenal. (Perhaps it is due to his 20 years experience as an art director with a New York City Ad Agency.)
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