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Women of the Left Bank

Women of the Left Bank

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Author: Shari Benstock
Publisher: University of Texas Press
Category: Book

List Price: $34.95
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New (22) Used (63) Collectible (1) from $2.41

Avg. Customer Rating: 5.0 out of 5 stars 3 reviews
Sales Rank: 444210

Media: Paperback
Number Of Items: 1
Pages: 566
Shipping Weight (lbs): 2.2
Dimensions (in): 9.3 x 6.2 x 1.7

ISBN: 0292790406
Dewey Decimal Number: 810.99287
EAN: 9780292790407
ASIN: 0292790406

Publication Date: 1987
Availability: Usually ships in 1-2 business days
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Condition: Shows definite wear, and perhaps considerable marking on inside. 100% Money Back Guarantee. Shipped to over one million happy customers. Your purchase benefits world literacy!

Also Available In:

  • Hardcover - Women of the Left Bank: Paris, 1900-1940
  • Paperback - Women of the Left Bank: Paris, 1900-1940

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  • Shakespeare and Company (Second Edition)
  • Paris France
  • Wild Heart, a Life: Natalie Clifford Barney's Journey from Victorian America to the Literary Salons of Paris

Editorial Reviews:

Amazon.com Review
"The question that predicates this inquiry is not 'What was it like to be part of literary Paris,'" writes Shari Benstock, but "'What was it like to be a woman in literary Paris?'" That city's Left Bank, says the author, was in the early part of the 20th century "inhabited by all those on the margin of culture, a place for the dislocated, even the dispossessed." Among these expatriates were women writers, editors, poets, journalists, and novelists who came to Paris from America or England, often to escape a family or society that made it hard for them to live as a lesbian or a black woman--or simply as an intelligent, ambitious person uninterested in settling into traditional domestic life.

If you believe the usual literary histories, the early 20th-century modernist movement in English literature was, Gertrude Stein excepted, a movement of men. Benstock restores the roles of such remarkable women as Djuna Barnes, Jean Rhys, Sylvia Beach, and Janet Flanner in the history of the time, revealing what she calls the "underside of the cultural canvas." The book is thorough and wonderfully descriptive, offering both a literary history and a portrait of the lives of creative women. --Maria Dolan

Product Description

This ambitious historical, biographical, and critical study has taken its place among the foremost works of literary criticism. Maurice Beebe calls it "a distinguished contribution to modern literary history." Jane Marcus hails it as "the first serious literary history of the period and its women writers, making along the way no small contribution to our understanding of the relationships between women artists and their male counterparts, from Henry James to Hemingway, Joyce, Picasso, and Pound."




Customer Reviews:

5 out of 5 stars Staggering good...   June 3, 2004
 22 out of 22 found this review helpful

Not really a biography, tho it is very biographic. Not really a study of Feminism, tho most of the women were early pioneers. Not really a study of Lesbians, tho most of the women were, at least, bisexual. What this book does, and it does it extremely well, is illustrate how these women struggled to 'define' themselves, as artists, as authors, as sexual beings, as individuals at a time when women were generally perceived as little better then simple minded children factories. From Gertrude Stein to Djuna Barnes to Natalie Barney (Rene Vivian...'a life spent looking for death')such different people but sharing a common thread of struggle (and cost). I've read a lot about this period and these women, and no book has given me a better understanding of them and emotional empathy with them, then this book.


5 out of 5 stars Edifying & entertaining.   May 13, 2004
 22 out of 22 found this review helpful

I picked up this book out of interest in expatriate Americans in the early part of the 20th century. I was immediately drawn into the worlds of these writers and artists and ultimately learned about incredible characters like Sylvia Beach, who was the first person to publish James Joyce's Ulysses, and Margaret Anderson, publisher of the modernist The Little Review.

As a feminist scholar, Benstock analyzes the places these women occupied in the Paris scene as well as in a world in transition. She admirably examines the literary works of the writers, but the book never feels solely like a book of criticism. Biographical information abounds and gives each chapter something of a story arc.

For readers who enjoy biographies of literary personalities but often miss the lack of detailed discussion of a writer's works, this book will not disappoint. And if you are at all interested Paris in the early part of the last century, modernism, or any of the many women discussed in the book (Edith Wharton, Djuna Barnes, Gertrude Stein & Alice Toklas, HD, Mina Loy, etc.) this book will be an invaluable source of information.


5 out of 5 stars A enjoyable book about a time I would have liked to share   September 30, 1999
 19 out of 41 found this review helpful

This book was a good introduction for me to read more about women who lived in Paris, but like so many, they went there to live a life ahead of their time.

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